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| Sampling |
This final
week before Christmas I’ve really pushed the sampling for my first collection, printing
some of the simpler designs on top of one another to create new compositions
has worked well. Some of my designs were very plain on their own but
combining two not only pulls the collection together as a whole but also makes
them more interesting. I especially like the contrasting variation of scale
when the stripe and all over repeat have been layered.
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| Two Designs Layered |
As the majority
of my fabrics in this collection are translucent I’ve experimented off-setting
designs and printing them again on the reverse, it’s worked particular well
with the devore providing more depth to an understated print.
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| Printing on the Back and Front |
I have
sampled with all over pearl prints in this collection before but never layered
another process on it. One of my most inspiring samples is a pearl pigment ground
with aquaspand detail, the contrast between the textures and colours really complement
each other.
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| Pearl and Aquaspand |
After a
tutorial Theresa has referred back to the surface print commission I did at the
beginning of term and suggested doing a complimenting range of surface pattern
designs alongside the fabric prints. It’s something I think will work really
well alongside my fabric/wallpaper designs.
If you look at designer Mathew Williamson and
his Butterfly Home Range for example he designs corresponding bedding, soft
accessories, jewellery boxes, ceramics etc.
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| Matthew Williamson Butterfly Home |
Having a
variety of surfaces in corresponding patterns that work together within a
particular room of a home has always been something I’ve admired, looking at
the designs I’ve create so far they should translate well onto ceramics /
glass. I enjoy testing pattern placement and think sampling these new complimentary
surfaces is what I need to complete my fabric collections.
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